Continúa la temporada de Ópera del MET, en el Auditorio Nacional de México
Como ya es tradicional, año con año, el Auditorio Nacional presenta su temporada de transmisiones vía satélite en alta definición, de diferentes obras que simultáneamente se presentan desde la ciudad de Nueva York, como parte del repertorio del MET, The Metropolitan Opera.
Para iniciar bien el 2012, el Auditorio presenta como parte de su programa Temporada 2011-2012 de Ópera en Vivo desde el MET de Nueva York en Alta Definición, las siguientes:
- La isla encantada (Estreno Mundial). De: Haendel, Rameau, Vivaldi y otros. Director de Escena: Pheilm McDermott. Director de Orquesta: William Christie. Principales intérpretes: Danielle de Niese, Lisette Oropesa, Joyce DiDonato, David Daniels, Anthony Roth Constanzo, Plácido Domingo y Luca Pisaroni. Fecha: 21 de enero 2012 12:00 horas
- El Ocaso de los Dioses (Nueva producción). De: Wagner. Director de Escena: Robert Lepage. Director de Orquesta: James Levine. Principales intépretes: Deborah Voigt, Wendy Bryn Harmer, Waltraud Meier, Gary Lehman, Iain Paterson, Eric Owens, Hans-Peter König. Fecha: 11 de febrero 2012 11:00 horas
- Ernani. De: Verdi. Director de Escena: Pier Luigi Samaritani. Director de Orquesta: Marco Armiliato. Principales intérpretes: Angela Meade, Salvatore Licitra, Dmitri Hvorostovsky, Ferruccio Furlanetto. Fecha: 25 de febrero 2012 12:00 horas
- Manon (Nueva producción). De: Massenet. Director de Escena: Laurent Pelly. Director de Orquesta: Fabio Luisi. Principales intérpretes: Anna Netrebko, Piotr Beczala, Paulo Szot, David Pittsinger. Fecha: 7 de abril 2012 11:00 horas
- La Traviata. De: Verdi. Director de Escena: Willy Decker. Director de Orquesta: Fabio Luisi. Principales intérpretes: Natalie Dessay, Matthew Polenzani, Dmitri Hvorostovsky. Fecha: 14 de abril 2012 12:00 horas
Photo: Auditorio Nacional official web site.
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 Since he was 5 years old, Clemente has been a faithful admirer of theater. His preference has always leaned towards musicals, enjoying the wide range of creative possibilities this genre offers to the work of its kind. Clemente participated in several school amateur productions and while studying his Bachelor Degree in Communication at the Anahuac University, he had the opportunity to collaborate as a Theater commentator in a radio program 620 AM during a year and a half.Currently, he has had the opportunity to touch base once again with Radio Anahuac Station (Anahuac University–Mexico) online and 1670 AM participating with the program Behind the Scenes (Tras Bambalinas) teaming up with Ana Blanes. Mr. Sanchez manages theatrical culture blogs: Mundo de Teatro-Mexico by ClemenTeatro and Tras Bambalinas. He has generated tools to bring these programs closer to our popular social networks: blogs, twitter, Facebook, among others. Within his personal collection he has 500 play programs and over 600 original cast recordings (versions in Spanish, English and other languages). Clemente Sanchez is in a constant challenge of contributing in building a theatrical culture. |
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